A client video is a conversation

Fin is software for video agencies. It keeps the idea, the script, the first cut, the client's note, the next version, the numbers. Editors keep Premiere, Resolve and After Effects.

Email Aadi See the deck

Fin's edit room in the demo workspace: the beats on the left, the picture in the middle, the review notes on the right, the timeline across the bottom

The note

The client's note lands on the moment

She opens a link on her phone, no account, watches the version, and leaves her note at the second she means. She approves or asks for changes from the same link. The team's notes pin to the frame.

The client's review page on her phone, demo workspace: the video, her note at 0:00, Approve and Ask for changes

The edit room's review notes, each at a moment, with the box to ask for a change

The record

What changed, and what could not

Each new version says what it changed and what it did not. At month end, every round is in the client's report: the note as written, what changed, what was not, hours to the next version.

The client report's record of one video: the versions, the round of notes, what changed, what was not changed yet, the hours to v2

Ideas

Each idea cites the videos behind it

Each morning, for every client, Fin reads YouTube, their channel, their competitors, Google Trends and the news, and turns what moved into idea cards. An idea with no evidence is dropped before anyone sees it.

The trend desk for a made-up run club: six ideas, the chosen one with the two competitor videos it rests on

The rest of the studio

Edit with Opus

Opus cuts the next version from the open notes. Fin checks it, then your team.

Client brain

Each client's formats, look, references and house rules. Every cut follows them.

KPI per person

Each person's output against their role's goal, over the days they actually worked.

Monthly attendance

The month's days per person, read from the HR export, with fixes and sign-offs.

Editors

Your editors keep their tools

Any version opens in Premiere, Resolve or After Effects with text, framing and sound levels editable, and the notes as markers. An editor can cut in their own Claude Code and hand the cut back.

Premiere
Resolve
After Effects
Claude Code

The footage library: each clip's shots with their time ranges and a line describing each

Your own keys and caps

Your own OpenAI, Anthropic and ElevenLabs accounts, billed to you, each with an off switch and a cap.

A space only you see

Nobody outside your agency can see your clients, scripts, footage, keys or team. The database itself enforces it.

Footage stays on your computer

Fin reads footage where it sits: studio computer, NAS or SSD. The cloud never holds a whole raw file.

The conversation, kept

Fin has no sign-up form. Aadi sets up each agency by hand: write with what your agency makes and for whom.

Email Aadi

aadityalobo@gmail.com